outstanding

If it isn't overly original of a German wine blog to bring you another Riesling review, then this one is at least as close to the heart of this whole enterprise as you're ever going to get. We bring you what is, despite our previous coverage, arguably the best unknown Riesling producer anywhere: Weinhof Herrenberg, the jewel of the river Saar. Please also note this outstanding micro-winery's fondness for bad puns. In Claudia and Manfred Loch, we salute two kindred souls.

And we duly salute this 2008 offering:

Sometimes Burgundy is not in France. Well, technically it might still be in France, for all I know, but metaphysically speaking I believe Burgundy is also a state of wine that can travel - and like the holy spirit of wine it can come down elsewhere and turn red wine into true Pinot Noir. Some of you heathens will now think of Oregon, New Zealand or California, but I have seen it happen in one of the more unlikely places on earth: the cool climate Mosel.

Yes, the Mosel makes Pinot Noir that can rival Burgundy. There may not be much of it, but I think of one man in particular, driven by faith in his vines: Markus Molitor.

Even Wine Ramblers do have a birthday. Just recently, it was the birthday of THE Wine Rambler and also of my co-Rambler Julian. My birthday is already a few months past, but there is still something to report on: When I met our Munich branch as part of my birthday celebrations, I found myself presented with a special gift.

Co-Rambler Julian likes to hunt for aged wines on eBay (great if you are in Germany, imppossile in the UK because of legal restrictions), and for my birthday he managed to find a bottle of a suitably aged Riesling from a Mosel winery that has my personal seal of approval.

"This monstrosity tastes monstrously good." - This is what Imperial Chancellor Otto von Bismarck had to say about a wine from the Ungeheuer vineyard. "Ungeheuer" is the German word for "monstrosity", and it is also the name of a famous vineyard in the Pfalz region. It is about time for us to review an Ungeheuer wine, and today we are looking at the premier dry (GG) Riesling from Mosbacher - one of the top Pfalz wineries.

"Premier", "top", "monstrously good" - can the wine stand up to all this praise or were the Wine Rambler and good old Bismarck (posthumously) left disappointed?

You haven't heard of Gelber Orleans? Not even a vague idea what it might be? Despair not, it is hardly a well known grape variety. In fact, it has become so obscure - even in Germany - that when I recently invited a well versed wine blogger over to try it I was confident she would not be able to identify it.

When serving the wine I made sure that the only thing she might have caught a glimpse on was the name and logo of the winery - identifying the producer as Knipser, one of the most accomplished in Germany. So, gentle reader, explore a wine with us which you will most certainly not have experienced before.

By covering a selection of sparkling wines from Germany and England during the last year or so, we have learned much and have opened up a whole new category of wine for ourselves, but in a way, we also got ahead of ourselves. We could look at sparklers with a fresh and innocent eye by simply ignoring the international benchmark for this whole type of wine, but it was at times also so much dancing around the elephant in the room, namely our utter ignorance of Champagne. On new year's eve of 2010, the Munich branch of the wine rambler manned (and ladied) up and confronted their insecurity. After all, let's face it, when expectation and curiosity are high, the potential for disappointment is also immense. But sometimes, just sometimes, you hit if off immediately. That night, I fell for grower champagne hook, line and sinker, and it's all thanks to Pierre and Sophie Larmandier from Vertus, Champagne.

Over the past few years I have reviewed quite a few Haart Rieslings, and for this reason I had considered scaling down for a while (with the writing, not the drinking of course) in order not to bore you. It's good I did not make it into a New Year's resolution though, as the latest Haart I opened was so stunning I honestly cannot remember having had a young Mosel late harvest Riesling of this quality.

A good Riesling wine of Auslese quality will usually need a few years before it really shows its potential and some of the outstanding ones may need a decade or more to get there, depending on whether you like them fruitier or a little more sophisticated. The other day, the time for Theo Haart's 2001 Auslese had come, and as it was my last bottle we will never know whether it would have been even more delightful had I waited five years more.

New York City is hipster territory - or at least that is the message it is trying very hard to project during my current visit. Interestingly, most things German do seem to be considered hip, especially German beer culture. The Lower East Side for instance welcomed me with German brass music, schnitzel and beer served by busty wenches dressed in pseudo Bavarian outfits. German Riesling, it turns out, is also very popular among the cool wine kids here, so it was quite fitting I brought one over to share with my host: a late harvest Riesling made by one of my favourite producers at the Mosel, Theo Haart. Usually, I would have opted for a Haart Riesling from one of the famous vineyards such as Piesporter Goldtröpfchen, but a few years ago I came across this late harvest from several vineyards around Piesport, which to me seemed almost more interesting than some of the wines from the top sites. Did it hold up as well as Haart's premier wines though, I wondered, or were we in for a disappointment?

Weinhof Herrenberg is Claudia and Manfred Loch's place, a tiny winery with just two hectares in Schoden on the River Saar that they have built up more or less from scratch, plot by plot, and with somewhat precarious resources. This is a very different history from the Van Volxem enterprise, which came with heavy investment, grander plans and more ambitious marketing from day one. Still, both outfits share some similarities. Both were willing to look beyond the winemaking traditions of the last few decades. Both managed to create a new kind of Saar Riesling that was actually a recreation of the pre-1950s style: Ripe wines with more powerful fruit and less prominent acidity than has been, and still is, "traditional" on the Saar. With their enthusiasm and nonconformism they have, between them, managed to break open the wine scene on this Mosel tributary, which had been dominated by an establishment of aristoricatic estates with a somewhat patrician attitude. High time we had a closer look at what Herrenberg has to offer, then, and we'll start with one of their mid-range dryish Riesling (they only make Riesling):