Drinking wine is expectation management. It is many other things too, and I would hope on most occasions the expectation management is invisible, but sometimes it can become centre stage when writing a wine review. If your expectations are low but the wine delivers, is there a risk you praise it too much? And if your expectations are very high, will you be led to write a review that compares the wine with your expectations instead of looking at it on its own merit? The above-pictured late harvest from the Mosel tributary Ruwer falls into one of these two categories for me, so approach with care.
Earlier this month, Bernhard Huber died. As the last few weeks have been very busy with work I am only now catching up with news from the wine world - and with news like this I almost wish I hadn't. While I have never met him in person I have appreciated his outstanding wines on more than one occasion, and I am only too aware of what he has done for the reputation of German wine, Pinot Noir in particular. Looking through my cellar, the only Huber wine left is a Müller-Thurgau, not quite the obvious choice, but it has to do for a toast to one of the greats of wine making.
Wine and Crime - what could go together more smoothly! If you doubt this pairing, have a look at our review of Ellen Crosby's The Riesling Retribution. It is a wine murder and mystery story and part of a series that contains highlights such as The Merlot Murders. A little while ago I discussed this with a friend and we soon realised that there are dozens and dozens of exciting titles for a wine murder series - and here they are, for you to pursue at you leisure.
As this week will have a French wine theme - Wednesday I am invited to a French rosé and food event - I figured I should kick it off with a wine from one of my favourite French regions: the Loire. Admittedly, its more famous cousins Burgundy, Champagne or Bordeaux would usually be mentioned first, but I love both the freshness and the quirkiness of the Loire wine. In many ways it is the French region that suits my style most.
It is also the French wine region that got me hooked on Chenin Blanc, partly due to the exciting wines coming from Domaine Huet.
Not everyone may agree with the National Health Service's classification of nosebleeds as potentially 'frightening', but even tougher characters don't seem to consider them fun. Looking back at one or two childhood nosebleed experiences I am inclined to take sides with the NHS here - and yet a Riesling tasting like a nosebleed was probably the most interesting wine I encountered this year. Enter Müller-Catoir's 2009 Grand Cru Riesling "Breumel in den Mauern".
As you can see from the photo above there is a prominent "1" on the bottle, indicating that this wine comes from one of the most highly rated vineyards in Germany (at least according to the winemakers association VDP). Together with the designation as "Großes Gewächs" (great growth or grand cru) this is designed to inspire some awe - which is, one would hope, at least subtly different from nosebleed fright.
Ever heard of Dunkelfelder? If not don't be alarmed - if I wasn't such a German wine nerd I probably had not heard of it either. It is a rare grape variety that doesn't have the best reputation, but it does have one of the coolest alternative names in wine classification: "Froelich V 4-4". Well, if you like to name your grapes after super weapons perhaps. Leaving unusual names aside, Dunkelfelder is one of the varieties that went into the 2005 vintage of "Pur Pur", and so eventually into my wine glass.
Is the Dunkelfelder wine a secret weapon or yet another of these German oddities we sometimes write about?
When the topic of really expensive wine comes up, my dad has a story to tell. Years ago, when he was working in a Michelin-decorated restaurant, one of the guests told him that he had made a good deal that day and now wanted to find out. To find out whether the most expensive wine on the menu was really worth it. So he asked my dad to bring that bottle and get his colleagues too so they all could taste the wine. A few minutes later a group of highly trained sommeliers and waiters clustered around the guest and sampled the wine - I think it was a Bordeaux - to conclude: nice, very nice in fact; but not nice enough that any of them would spend even remotely as much money on a bottle. Even so they were all happy, especially the guest as he now had found out what he always had wondered about.
Today I am embarking on a, somewhat, similar mission. Behold, and you will see the most expensive wine I have ever bought, a Riesling older than yours truly. And the question is: was it worth it?
Do you eat ice cream on cold winter days? I do, and for some reason I fancy it more often when it is cold than during the few really hot days of summer which London allows me. Maybe for that reason I don't seem to be buying into seasonal wine reviews and I don't find that I crave heavy reds more often in winter than in spring. Therefore it is purely coincidental that I am reviewing this year's first rosé just in time for the official start of spring.
However, if you do enjoy strawberry goodness with sunshine I am sure this English rosé will deliver the goods for you this summer - almost too much, in fact.
What you are looking at is nothing less than the best Chardonnay ever made in Germany. Well, sort of. First of all the photo below only shows Chardonnay grapes and not the bottled "R" as, despite following best practice in digital preservation, our shots of the "R" had an unfortunate encounter with oblivion. Secondly, I have no idea whether Bernhard Huber's 2009 Chardonnay really is the best German Chardonnay ever bottled - but when we heard that the respectable wine guide Wein Plus had made that claim it was time to investigate.
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So, ladies and gentlemen, come join us for another mission in our never-ending quest to do our journalistic duty.
Is it too early to say that Italy, once haughtily ignored, is making a comeback on the Wine Rambler? In November, Torsten has had his eyes opened by a white from Trentino, and I, for my part, am more and more impressed with its northern neighbour, Alto Adige.
Now that everybody seems to concur that 2012 was over the roof on the banks of the Adige and the Isarco rivers, I have looked closer on reports of the last few vintages, and would you believe it, this has been going on for some time: Excellent on international varietals like Chardonnay, Pinot Blanc and Sauvignon Blanc, excellent on local growths like the reds Lagrein and Vernatsch.
So I've woken up to it: The Alto Adige has been stealthily creeping up on us. We can't have that, of course. So at the risk of blurring our core germanic focus, I will from time to time over the coming year report on what I have stocked up on.