decent

Here I am, drinking a wine from the end of the world. This is both true in geographic terms, seeing as the wine is from Patagonia, and it is also true as the winery is called 'Winery from the end of the world' (Bodega del Fin del Mundo). This Bodega is a fairly new venture, about ten years old, and they grow a variety of red and white varietals on 870 hectares of land. As this part of Patagonia is fairly dry, the vineyards need a computer controlled irrigation system - the water comes from 20 kilometres away and a complete water channel system had to be built for the irrigation. This apparently took two years, and the first vineyards were planted in 1999 - protected from the wind by a complex system of windbreakers. Scared away by all that technology?

People have very different ideas about wine labels, including people in wineries, of course, and that must be a good thing as it creates a certain variety. The artist-designed label of this year's GrüVe is certainly very distinctive, although I cannot say that I like the way in which it overpowers the whole bottle to the point that you see nothing else. But that just is the tradition of the Sonnhof estate's GrüVe label, an entry level Austrian Grüner Veltliner from one of Austria's premier wineries.

Sun-kissed Baden, the southernmost of Germany's wine growing regions, specialises on Pinots: Pinot Noir, Pinot Bianco and Pinot Gris/Grigio (or Spätburgunder, Weißburgunder and Grauburgunder), and for some reason we have so far only reviewed Spät- und Weißburgunder from Baden on the Wine Rambler. So it was high time to open a bottle of Grauburgunder and and do some reviewing - and this time it was not just me, but a group of British wine drinkers who joined the London Wine Rambler for a night of fun yesterday.

After having spent quite some time on the Silvaner grape recently, I felt the need to explore Weißburgunder (Pinot Blanc) again, especially as a decent food wine was needed. And as I just heard the the Seeger estate has been accepted into the prestigious club of the VdP (the German association of premier wine estates), it seemed a good idea to open Seeger's basic Pinot Blanc with some food.

Here we are back with our latest venture into supermarket wines. Friends of the Wine Rambler will know that every so often I visit British supermarkets and explore what they have to offer in the cheap price range. So far the likes of Blue Nun and Liebfraumilch have been very disappointing - but here comes an Australian Riesling, from ASDA, that is actually quite drinkable.

German organic supermarket chain Alnatura has a small, but convincing wine selection, much of which comes in half bottles as well. A good marketing move, since, apart from being good for single drinkers or weekdays, this always makes me less hesitant about trying a wine I know nothing about.

Deep cherry red, with a brick-red edge.
Nice smell of tannic cherries, raw beef, some red and black currants.
In the mouth, thick-skinned cherries again, red currants, medium bodied, a little leathery, a spicy, but also mouth-drying after-taste with a real pinch of tannic roughness.

Tasted blind here.

Very dark pink, an impressive colour.

Smells of raspberries, rose petals, but peaches and exotic fruit as well, a certain artificial fruitiness (a little fakey-fake action, as Gary Vaynerchuk would probably say).
In the mouth, full-bodied and smooth, pleasantly fruity, very easy to drink, but with a bit of a hole in the middle, not too long.

Good rosé, certainly convincing for its price, that many people will enjoy for summer sipping. Not the world's greates fan of rosés in general, I'm not blown away, but I can think of worse beverages for an august evening.

Markus Schneider, an up-and-coming wine maker from the Palatinate, seems to like very simple, clean labels - a no-nonsense approach that has nothing of the sometimes overly decorated, old-fashioned German wine labels.