a deeper well

Whenever I come across good wine from the Württemberg region, I feel some irrational pride - irrational if you consider that while I have been born there, I left my Swabian homeland many years ago and have never looked back. While I went away, others clearly thought it was good to move to Swabia - at least in the middle ages when the noble family of Hohenlohe acquired property in Öhringen, north-east of Stuttgart. They clearly liked it there and after some branching in and out, some pruning etc., there is still a branch of the famous family residing there, the Hohenlohe-Oehringens.

Instead of quelling peasant rebellions, the Hohenlohe-Oehrigens of today are growing wine, organically of course. Like this grand cru Riesling.

It's all rather melancholy. It's raining outside, autumn is coming on, and there's only one antidote against heaviness of heart that never fails: 1990 Bordeaux. Chateau Malescasse is said to be one of the very dependable producers of the Haut-Médoc, and in a more lucid moment, I secured this bottle on eBay. And when I woke up this morning with the rain lashing against the windows, I knew it : Tonight is its night.

Other than many of my British acquaintances, I don't often complain about the weather in London as I usually like it. Today though it has thrown a spanner in the works of the carefully planned Wine Rambler schedule. Expecting autumn to make its appearance, I had opened a Pinot Noir (Spätburgunder) the other day but now England is hotter and sunnier than it has been all summer - and here I am reviewing a wine that most people would rather associate with autumn. Having said that, a good Pinot should always be a great companion, so I hope you can forgive me for appearing unseasonal.

The Pinot in question comes from a highly respected producer in the Pfalz. On about 20ha, Steffen Christmann grows Riesling, Pinot Noir and a range of other grapes including Pinot Blanc/Gris and Gewürztraminer. Christmann is not only lucky to own parts of several very well known vineyards (such as the Ölberg), he also happens to be head of VDP, the leading German association of premier estates.

A couple of years ago I discussed German red wine with a lover of red Burgundy. He was mildly curious, but at the same time convinced that German Pinot Noir, or Spätburgunder, might be acceptable yet would not be substantial enough to age for more than three or four years.

Now, with a Spätburgunder of barely seven years of age to review today I am probably not in a position to change that view (for that I would refer to a 1999 from the Mosel and a 1992 from Baden) - but then we drink wine to enjoy it and not to correct Burgundy fans.

This is a story of failure. Not a failure of the wine in question, quite the opposite of it. The wine was great. Instead it was me who failed the wine, in a way at least. Having said that, perhaps someone else is to be blamed for this ramble being a little different. As it happens, I have a photo of the culprit, and they look like this:

What has a pure, innocent grasshopper to do with an aged late harvest Riesling? Well, it is all about focus and light.

Following my recent Californian adventure I have now paid the US East Coast a visit. At least so far as you can call opening a bottle of wine "paying a visit". I had visited the New York region last year though, and on a tour through Long Island discovered one of its vinous gems, Shinn Estate Vineyards. Among the lessons I learned there was that you can make very strong wines that can still feel light - if you get the balance right.

Now, if the warning of the Surgeon General on the label of the Shinn Cabernet has not scared you away, will the fact that it has 15.4% ABV?

I'm always honoured when people who have stumbled onto this blog contact us for expertise on German wine, even while I find myself guiltily hoping that we are not the only source that they rely on, given the patchiness and dabbling character of this our whole undertaking. But here is a piece of advice that I guarantee you will not regret following: When looking for mature-ish Mosel Riesling in great drinking condition, look no further than the 2002 vintage, underrated in many quarters, but in my humble experience as safe a bet for lively, nuanced wines as you are going to find.

Martin Müllen's 2002 Kabinett from the aptly named Paradies ("paradise") vineyard is a case in point. Over and beyond being a minor classic of the neo-traditional style of Mosel winemaking (whatever the hell that is supposed to be), it also has a long and distinguished history in this Wine Rambler's cellar, being one of the very first wines ordered directly from the producer. And I'm happy to report it has never before tasted this good:

It is still Silvaner season at the Wine Rambler. Actually, for us it is Silvaner season throughout most of the year, but over the past few months we have been even more busy exploring this often underrated German grape variety. Today's specimen is a little unusual, even for us, as it is a sweet Silvaner, an ice wine in fact. Ice wine is made from grapes frozen on the vine - a process that helps extract water and thus (relatively) increases extract and sugar levels, making for delicious sweet wines.

This ice wine was made by Pfalz producer Gerhard Klein based in the village of Hainfeld. If you are not familiar with the Pfalz, you may be amazed to hear that among the grapes they grow are Syrah and Cabernet Sauvignon. Now I even read that Kleins also plant Grüner Veltliner! Compared to that, Silvaner is a much traditional German planting, and that's what we will focus on today.

We've reviewed wines from Zehnthof Luckert before, and have not so far been disappointed. Today, we turn to Blauer Silvaner, being a blue-skinned variety of Silvaner that is not, as Jancis Robinson's authoritative "Oxford Companion to Wine" proclaims, merely a speciality of Württemberg, but also found along the river Main in Franconia.

If the Luckert family wants to send a bottle of this to Jancis Robinson as proof of that, I suggest they go ahead, because they certainly need not be ashamed of it:

Looking back over the last few weeks of wine rambling, I realise it has been a little while since we have reviewed a dry Riesling. As certain standards need to be upheld (and the world reminded that Germany defines itself more and more about dry), a bottle of dry German Riesling was uncovered from my wardrobe cellar.

As it happens, it was a dry Mosel Riesling, made by winemaker revolutionary Reinhard Löwenstein.