Yellow colour with a shiny golden sparkle - very promising. The nose even better: cool mineral, herbs, lemon and peach - very pleasant peach indeed, but not overwhelming, and some apple, which adds just the right amount of bitter. The peach continues right onto your tongue, giving the Riesling an elegant juiciness, while the apple and especially mineral dominate the first half of the long finish. A wine with good structure, elegance but also a certain assertiveness, Georg Mosbacher's dry late harvest Riesling convinces from start to finish - even two days after I opened the bottle it stays sharp and clear. What can I say, a really good wine!
A fairly dark Pinot Noir, the 07 Vitus has a seriously dry nose: smoky, toasted oak, a little yeast and a little cherry fruit - more serious than playful, I would say. The wine is also not very fruity on the tongue, where leather and a hint of pepper are added to the mix. It does not feel heavy though, partly due to its fresh acidity. The finish is good, marinated cherries, acidity and tannins, but reasonably smooth, and a bit of woodland aroma with the tiniest hint of chocolate.
People have very different ideas about wine labels, including people in wineries, of course, and that must be a good thing as it creates a certain variety. The artist-designed label of this year's GrüVe is certainly very distinctive, although I cannot say that I like the way in which it overpowers the whole bottle to the point that you see nothing else. But that just is the tradition of the Sonnhof estate's GrüVe label, an entry level Austrian Grüner Veltliner from one of Austria's premier wineries.
Hessische Staatsweingüter Kloster Eberbach - this Pinot Noir was made by a state owned winery in the German state of Hessen. The Staatsweingüter (state wineries) are among the largest wineries in Germany, growing wine on about 200 ha. The Domaine Assmannshausen, one of three domaines that are part of this estate, focus exclusively on red wine, something quite unique in Germany.
This one is for the ladies. Actually, it is not so much for the ladies in general as for my friend Conny who always complains that the Wine Rambler ignores wine from the German region of Franconia, or Franken as we call it. Franken is a Protestant enclave in the north of otherwise Catholic Bavaria. People have a funny accent ('k' comes out like a 'g') and supposedly like robust food and dry wines with the necessary substance to go with it. Did I mention that Conny is from Franconia?
Markus Schneider, an up-and-coming wine maker from the Palatinate, seems to like very simple, clean labels - a no-nonsense approach that has nothing of the sometimes overly decorated, old-fashioned German wine labels.
I would like to recommend this wine to all Anglo-Saxon wine lovers who enjoy the uniqueness of German wine labelling and, especially, naming. You might know that trocken means 'dry' and that Kabinett indicates that this wine is to be ranked among the quality wines. However, this is just the boring part of the classification system. Much more interesting is the name of the wine - artist's hell. How do the serious Germans come to such an usual name?
This dry Riesling is a very pleasant surprise. Not that I would not trust the Weil winery to make nice Riesling - but I had seriously planned to just have a glass of this tonight. Or perhaps two. Alas! my plan has been foiled.
To be blamed is a dry Riesling with clear, yellow colour (not too intense). The nose is very fresh, almost cool, with mineral vegetable-lemon and a fruity dose of peach. The wine itself is dry, but not too dry, with a really pleasant freshness that makes your tongue tingle.