K&U Weinhalle

In a large blind tasting that pitted a selection of German Pinot Noirs against a wide range of international contestants, seven out of ten of the top ten scored bottles were German. This was widely publicised - not least on the Wine Rambler's Twitter account, of course - and even made some small headlines in the German general press. To be honest, I think you're well advised to take tastings of this kind with a pinch of salt, as they tend to follow their own marketing rules and cycles, and are often designed to fit into a Judgement of Paris kind of narrative. You can't help noticing, in fairness, that no Grand Cru Burgundies of the battleship class were lined up.

But I was pleased nonetheless, of course, because it underscored the validity of the case we've been making since the beginning of this blog: German Pinot Noirs can be very, very serious and deeply satisfying reds. And we have another one of these for you right here:

Buying clothes and shoes is a difficult business. Even if you happen to know what you want and even if the market agrees that you should want it and offers it to you, there is no guarantee it will fit. I cannot remember how often I have tried trousers or shoes of the size I have bought for years and continued to buy for years after - and the bastards won't fit. Like the EU size 46 trainers that my 43-44 size feet would not even get into. Producers apparently like to interpret size in line with changing fashion. This of course does not fit my modernist brain that believes a size is a size and not a fashion statement. Wine bottles are different though - a 750ml bottle will pretty much always fit your wine rack. Unless it is a Franconian Bocksbeutel, of course.

Admittedly, this is not very practical (and I wonder if there are Bocksbeutel racks for the serious collectors of Franconian wine), but to me it is a satisfying change from the norm, and as you get what it says on the label it is also honest. Like a good Franconian Silvaner should be.

Is this the time when we should start the pre-Christmas season of wine with big hefty reds? No, no, no me brotha. This Wine Rambler abides by his statement of principle: Freshness, freshness, freshness. It's a well-documented fact by now that I am no great fan of the South of France, at least not any more. I've developed a kind of allergy to the overripe cherry and generic dried herbs-approach on offer from there. But there is a style, pioneered mostly, with some hits and misses, by the Gauby family, that I think of as Mediterranean avant-garde: Sprightly, slender-bodied, drinkable reds with a lighter, more focused spectrum of fruit.

Another winery that has moved in this direction is Christophe Peyrus' Clos Marie.

Last weekend I organised a wine tasting of a different type for my colleagues. I had particularly high hopes that one of the wines would shine, a Riesling from Rheingau winemaking wizard Peter Jakob Kühn. In the past, I have had some truly stunning wines from Kühn, and I had heard good things about his work with the difficult 2010 vintage. At the tasting though the biodynamic Riesling was overshadowed - in being controversial by a Franconian Silvaner and in receiving general praise by an Austrian Grüner Veltliner.

Not that the Riesling was bad, mind you, but in its leanness it was a little more quiet than I had hoped for. When we divided up the spoils of the night, I grabbed a half full bottle and took it home with me to inquire further.

It is one man in particular that every so often makes me crave American wine: Jim Clendenen, the Californian winemaker behind Au Bon Climat. The ABC Pinot Noir and Chardonnay I have tried so far were delicious and, if you consider how insanely expensive Californian wine can be, reasonably priced. As it has been a while since I had the pleasure and as I love all Pinot varieties I could not resist getting a bottle of ABC's Pinot Gris and Blanc blend.

With a label like this, impossible to imagine in France and probably even in Germany, I don't have to tell you what went into the wine, but for you lovers of more "natural" winemaking I can add that this ABC is an unfiltered organic product of spontaneous fermentation.

Looking back over the last few weeks of wine rambling, I realise it has been a little while since we have reviewed a dry Riesling. As certain standards need to be upheld (and the world reminded that Germany defines itself more and more about dry), a bottle of dry German Riesling was uncovered from my wardrobe cellar.

As it happens, it was a dry Mosel Riesling, made by winemaker revolutionary Reinhard Löwenstein.

Every spring I look forward to the asparagus season. Leaving aside the fantastic Silvaner grape, Pinot Blanc is one of my favourite wines to be enjoyed with asparagus. It also happens to be one of my favourite white wines, and so I used the last couple of months to reduce my stock of Weißburgunder, as the Germans call it. Wittmann's 2008 Pinot Blanc has been sitting in my wardrobe for two years now, waiting for a special moment.

When a fantastic looking turbot and two handfuls of lovely English asparagus found their way into my kitchen, that special moment had come. I had fairly high hopes for this wine, as Wittmann's "S-Class" have never let me down, some of them turning out to be truly stunning.