K&U Weinhalle

London, so the MetOffice tells us, is about to descend into a snow chaos this night. While this may mean that tomorrow evening it will be time for hearty food with a robust red wine, tonight I felt more like spicy food and so I prepared a stir-fry. I use this simple recipe fairly often, it basically involves frying small bits of chicken breast in butter and then adding chopped peppers, green curry paste and lemon juice - the latter nicely balances the flavours and gives it that nice, fresh kick of acidity. So opening a Riesling seemed like the logical choice, and as the food was not overly spicy I thought I could get away with a dry Riesling. A particular bottle from the Wittmann winery had looked at me in this peculiar way for a couple of weeks now, so the choice was easy.

Imagine the Winesleuth comes to visit. Well, a good week ago fellow London-based wine blogger Denise did actually come over for dinner. And as Winesleuths and -ramblers cannot be without wine for too long, we had to taste two German Rieslings. One was the a deliciously sweet Riesling, the 2007 Goldtröpfchen Spätlese from the Haart winery, which was reviewed here before. The first was a Riesling too, but a dry one the Löwenstein winery. Here is what Denise had to say about it (so I guess this is our first guest-blog, in a way):

Most current wine marketing revolves around the attempt to associate wine with "nature", and to make not technical refinement, but true representation of the soil and the land the measure for wine quality. So you have your natural wine bandwagon on the one side, with your organic winegrowing, your biodynamics, your "slow" winemaking, your "natural wine". And then you have Natural wine with a capital N. And there you have your non-sulphurisers, your amphorae-diggers, your oxidizers, purists, extremists and experimentalists. Angiolino Maule from northern Italy's veneto is one of those. This wine is naturally fermented in open wooden barrels, not shielded from oxygen, unfined and unfiltered, with no added sulphur.

Whenever I drink a lightly (pleasantly!) oaked Chardonnay these days I think of Tom Aikens, a fine restaurant in South West London. I have not been there very often, but single time the sommelier surprised me with an unusual combination of food and wine and also with bringing out my (usually) hidden love for lightly oaked Chardonnay. The wine I have in my glass right now is not a Chardonnay and I am enjoying it at home, without the delight of Tom Aikens' food. Even so, it brings back some good memories. And it is not a Chardonnay, but an Auxerrois. Auxerrois is a relatively unknown and rare grape variety that can be quite similar to Chardonnay and Weißburgunder (Pinot Blanc).

Wittmann needs no introduction, neither in the german wine scene nor on this site. They are well known as one of the leading lights from Rheinhessen, although it's always worth pointing out that they went seriously organic long before that became fashionable. The Westhofener is their mid-range dry Riesling, somewhere in between the single vineyard Große Gewächse and the simpler varietal QbA.

And you couldn't wish for better if, say, a friend had just fried a piece of tuna in a sesame crust for you:

Deep peachy Riesling fruit, razorlike yet ripe acidity, minerality, a great mixture of fruity power and mineral tension.

Another winner from an estate that seems incapable of making mediocre wine.

When you have a Bordeaux style French red in your glass and it is actually German, it could very well be Thomas Seeger's Cuvée Anna. I opened a bottle Friday night for a group of friends without telling them what it was and the guesses ranged from Argentinian Cabernet to Syrah or French Malbec. In fact, Cuvée Anna is a blend of Pinot Noir, Schwarzriesling and Lemberger. Lemberger is a grape variety also know as Blaufränkisch (especially in Austria), and is know to create wines with sometimes spicy dark berry flavour, some tannins and good acidity - 'Anna' has all of the above. Schwarzriesling, literally Darkriesling, is also known as Pinot Meunier and is interestingly used in the production of Champagne (although Pinot Noir is much better known in this respect).

Sun-kissed Baden, the southernmost of Germany's wine growing regions, specialises on Pinots: Pinot Noir, Pinot Bianco and Pinot Gris/Grigio (or Spätburgunder, Weißburgunder and Grauburgunder), and for some reason we have so far only reviewed Spät- und Weißburgunder from Baden on the Wine Rambler. So it was high time to open a bottle of Grauburgunder and and do some reviewing - and this time it was not just me, but a group of British wine drinkers who joined the London Wine Rambler for a night of fun yesterday.

After having spent quite some time on the Silvaner grape recently, I felt the need to explore Weißburgunder (Pinot Blanc) again, especially as a decent food wine was needed. And as I just heard the the Seeger estate has been accepted into the prestigious club of the VdP (the German association of premier wine estates), it seemed a good idea to open Seeger's basic Pinot Blanc with some food.

A nose of mineral, citrusy acidity and tobacco welcome you when you pour this Riesling from the Palatinate into a glass. Add some herbs and peach and you get a really pleasant nose that is fresh, crisp and light at the same time. The Riesling is quite similar on your tongue too, light and fresh with notable acidity and some slightly bitter vegetable elements that are a nice balance to the juiciness and, yes!, the tobacco. This organic wine seems quite light at first, but can also show some teeth. Enjoyable and fresh, with quite interesting tobacco notes, the Christmann wine is a pleasant companion, but also not quite a revelation - with a little more substance it could have been though. A decent showing for the price.

Here in the UK, most people would probably associate the Shiraz grape with Australia. Germans and Austrians, however, like to call it Syrah, and if they were into wine they might know that Austria produces a few nice ones too - and this Syrah is one of them.

The colour is a shiny ruby-red that almost borders on dark chocolate or very reduced balsamic vinegar. I am quite definitive about the latter as I served the wine with slow roast lamb, potato mash and balsamic glazed baby carrots. But back to Count Hardegg's Syrah. Both nose and mouth brought some nice ground pepper thunder to the table - and lots of dark berries, embedded in an almost chocolaty smooth structure and garnished with roast bread and some notes of vanilla and roast oak.