sweet

If you ask me to name a winemaker who has really impressed me with consistently, year for year letting the quality (let's avoid the word terroir here, shall we) of an outstanding vineyard shine, well, then I would probably name Theo Haart. Sure, there are others, but I have now tasted his late harvest Rieslings from the famous Piesporter Goldtröpfchen for the vintages 1999 and 2001-2008 (the 05 though is still sitting here, waiting for its day), and not only are they all first class wines, they are also very distinct and consistent in style. The '08 is no exception and, boring as it may sound when I write about Haart late harvest Riesling, just a lovely wine.

It has been a while, way too long, actually, since I reported on a wine made by the lovely people from the Haart winery. The winery is based in the village of Piesport, a name that is infamous in the UK for cheap wine, but famous among wine lovers for the Goldtröpfchen (little drop of gold) vineyard, one of the best at the Mosel. The Haart family has been making wine since the 14th century and the sweet Rieslings of Theo Haart, who runs the family estate with his wife and son, have an excellent reputation. For me they are also the embodiment of what I love about the Mosel style of winemaking.

It was New Year's Eve and the Wine Rambler committee had assembled in Munich to drink some god-damn wine. And what could be better to conclude an evening of feasting and drinking with friends than one of the elegant, sweet Mosel Rieslings that Theo Haart turns out year after year? To celebrate the end of 2009 it had to be something special, an 'Auslese' ('selection', one of the highest ratings in the often confusing and not always meaningful German wine classification system). Made by a good winery and stored well these wines can last for decades, so a 2006 Auslese can almost be seen as a young wine when drunk at the end of 2009. Or as darn tasty, at any time.

What to write about a wine that's so annoyingly perfect that it has the peachy fruit, has the stones, has the sweetness, has the acid, has those first camomile and petrol hints of age, has the balance and has all the elegance that sweet Riesling can bring.

Not much to say about a wine which will let any of the Wine Rambler's snobbish bonmots and bad puns roll of it anyway.

I'll make this confession, then: Us having enjoyed this with a dear friend who not only makes a fiendishly good mousse au chocolat, but also likes good Spätlesen, amid general contentment, I couldn't help this thought creeping its way into my sluggish brain: This wine is too nice. Yeah, it's boring. There, I've said it.

If you like aged Riesling, if you want a perfectly balanced, well rounded wine, if you crave the sensation of a wine that makes your palate feel smooth and peachy - go for this gem from the Mosel. Followers of the Wine Rambler will have noticed that we do tend to like the fruity Rieslings Theo Haart makes and this one is no exception. It is, in fact, the oldest Haart we have tasted for the Rambler and it demonstrates the potential of these wines.

Is there anything better than a nicely aged, excellent Riesling? I am not sure, but drinking this late harvest from winemaker Haart makes me think there may not be many things that would be better.

The colour is just beautiful, shiny gold with a hint of green. The nose is sophisticated, juicy peach with light herbal notes, cool, buttery mineral and the slightest hint of petrol.

German department store chain Hertie / Karstadt is broke, and the market on my way to work is one of those that are to close permanently. I couldn't help but look in on its second-but-last day out of morbid curiosity. Amid the eery atmosphere of an empty supermarket, on one of those cheesy fake barrels of the wine section, I found them: Ten or twelve little golden half-bottles, like a lost flock of ducklings, sporting blow-out price tags, but shunned by the bargain hunters. One I took home.

Wirsching is one of Franconia's most reputable producers, with hefty dry Silvaners. "Wiqem" is a rip-off on Chateau d'Yquem, of course, the world's best know dessert wine. Even the lable mimics Sauternes. It's a sweet Auslese made from a mix of grape varieties.

Straw-coloured. Fairly understated smell of candied citrus peel, camomile tea and a hint of petrol.

The taste is so much fresher and more open: Wonderful rich sweetness, elegant ripe pineapple notes, the world's fruitiest camomile tea, the tiniest hint of caramel, good stable acidity, a mineral background. What makes this Spätlese wonderful is that it has the complex flavours of maturity (the typical lemon, peach and apricot aroma of young riesling is almost completely gone), but is still vibrant and fresh. It seems that, out of pure luck, I have opened it at a very good point in its development.

From a region not often talked about, a producer to watch out for.

Light golden colour. At first, the nose is a little closed - mineraly yeast with herbs and a hint of peach; not unpleasant, but also not very intense. And while you still wonder where Dönnhoff is going with this, something gorgeous hits your taste buds. Even within seconds after opening the bottle, the sensation on your palate is just marvellous. And it gets better over time, as does the nose.

White crystals on the cork. Shiny, golden colour. A nose of (flowery) honey and stone fruit, with a faint hint of mineral; peach. In the mouth honey, smooth, caramelised peach, very smooth, a little spice, nicely aged. At first, we noticed a little malt in the finish (think malt beer), but that disappeared after 15 minutes or so; a little bitter towards the finish - not entirely unpleasant though. It made me want to have a soft, not too sweet cheese cake.

A nicely aged Riesling that was very drinkable but lacked that little something to be truly, truly memorable.