J. M. Alquier, Réserve "La Maison Jaune", Faugeres, 1998

When it comes to french reds - and as I've said before, you can't be a real wine snob unless you can take a sip and say "ahh, zees, my friends, is terroir..." - I've had the distinct feeling for some time now that France is being rolled up for me from south to north. First to go was the southern Rhone. Done. I can't stand this tepid heaviness any more. Then, the more generic Languedoc blends followed suit. Bo-ring. With a lukewarm Gauby experience recently, I've even become doubtful about the Roussillon. So what about Faugères, one of the more characterful Languedoc appellations? Won't say "last try" yet, but let's just say there's some pressure on Alquier, by common agreement one of the very best names in all of southern France.

Van Volxem, Scharzhofberger Riesling, 2008

You have never heard the name 'Scharzhofberg' before? Well, take a pen (or a keyboard) and write it down. Scharzhofberg is the name of a German vineyard, located near the Saar river (close to the Mosel). There are of course many vineyards in Germany, but Scharzhofberg has an excellent reputation and may be one of the most expensive bits of real estate in German winemaking - if you could buy land there, as producers jealously guard every square meter they own. Land rarely changes hands there, but the Van Volxem estate is lucky enough to own a small part of the 28 hectare vineyard. So let's have a look at what they can do with it, shall we?

Domaine Gauby, Les Calcinaires, Côtes du Roussillon Village, rouge 2005

Wine, it seems, is still getting more and more alcoholic, a trend to which climate change happily contributes. After all, there is not much that producers can do against rising temperatures. Or is there? Gérard Gauby, a Roussillon winemaker, seems to believe they can. A decade ago he switched to biodynamic winemaking and successfully developed methods to reduce the alcoholic strength of his wines.
I had a 2005 Gauby sitting in my wine rack for a while now, until Julian kicked me into action by commenting on Gauby's 2004: 'Aromatics of overripe plum and dried herbs, but fairly imprecise and unfocused, with sweet and oxidised port notes that didn't work for me. I think very highly of Gauby, but this one doesn't seem to age well. Or maybe a reminder that "natural" wines are at all times capricious, moody fellows?' After reading this it seemed high time to drink up my 2005, in case it had suffered a similar fate. Had it?

A. J. Adam, Riesling Kabinett, 2007

It may not be a polite subject, but there's no dancing around the issue: Deep-dyed mosel Rieslings from slate soils can give off a bit of an odour. You expect a bit of a mosel funk, you appreciate a bit of a mosel funk, yet in my humble mosel experience so far, here's the undisputed sultan of stink: Andreas Adams's Kabinett gives you your petrol spill, your car dealership, but throw in used motor oil, a sulphur spring and some rotten eggs, and you're getting closer. Very distinctive, if you like this kind of thing. And I certainly do. Beneath the stink, or maybe it's better to stay borne on the stink, are ripe apricots, deep stony minerality and a whiff of caramel. The fruit is really subdued at this stage of early maturity, the acidity is not much of a presence either, and it's really the hard-core slate minerality that is the blood and bones of this ultra-trad Kabinett.

De Gouden Ton, exquisite Rotterdam wine shop

It has been a while since the Wine Rambler has hit the road, but a few weeks ago work called me to Rotterdam. I used the chance to attach a short holiday to explore the city. My voyage of exploration took me to the gigantic harbour, into museums and, mostly, along an impressive display of modern architecture. It also took me to what on the internet looked like a very interesting wine shop: De Gouden Ton. Just a short walk away from the city centre in a more quiet street lies a vinous gem that should excite all fans of exquisite wine.

After having walked around under the merciless sun for a few hours, I really appreciated the somewhat shady and very relaxed atmosphere at De Gouden Ton. The light conditions made capturing the shop well a real challenge for my camera, but trust me when I tell you that it is the kind of design and atmosphere that can make you instantly welcome.

Salwey, Riesling Eichberg GG, 2008

Germans love dry wine - this still comes as surprise to many foreigners who think of Germany as country of sweet wine. Actually, almost two thirds of all wine produced in Germany is dry. On top of that the VdP, the association of top producers, are currently pushing for a new top category in the wine classification system that applies to dry wine only. This is where the label 'GG', short for 'Großes Gewächs' (literally 'great growth') of today's Riesling from Baden comes from.
In order to be classified as GG, a wine has to come from a certified top vineyard, yields have to be low, only grape varieties that have some tradition in the region can be used, grapes have to be harvested selectively by hand and the wine has to have the same quality level as a late harvest. And, of course, the producer has to be a member of VdP. The Baden winemaker family Salwey are, and this is their 2008 GG Riesling.

Vincent Carême, Vouvray Spring, 2007

When 2009 came to an end, for some reason the Wine Rambler got infected with the idea of developing new year's resolutions. Among the ones Julian came up with was to 'try more from lesser-known French wine regions like the Jura or the Loire Valley'. Traditionally, I leave France more to Julian, but his recent excitement about a Loire Chenin Blanc made me memorise the word 'Vouvray'. Vouvray is a region of the Loire Valley where they specialise in Chenin Blanc, wines that can rival Riesling in terms of their potential to age for decades. So when (following a phase of drinking much Pinot Blanc, Riesling and some Chardonnay) I came across a Vouvray that was recommended by trustworthy wine merchants Philglas & Swiggot, I did not hesitate and grabbed their last bottle. Lucky me, I can now say.

How the Nazis invented German wine culture. A historical guest ramble by Peter Jakob

What could be more idyllic, more innocent than enjoying a glass of wine with friends at a historic wine festival? At least as far as Germany is concerned, the history of wine festivals is not always as innocent as one might expect though. In our latest Guest Ramble, wine blogger and historian Peter Jakob, aka MarcoDatini looks into the Nazis' attempt to invent a national German wine tradition through the creation of the Festival of German Grape and Wine / Fest der deutschen Traube und des Weines. A highly recommended read (also available in German), especially as it approaches the topic of wine with a critical, historical perspective that is highly unusual in wine blogging. Enjoy, and learn.

Festival poster, Stadtarchiv Herne
Festival poster, Stadtarchiv Herne