Before turning to this Hungarian Chardonnay, I feel I have to reveal the source behind my new interest in eastern European wines such as this:

Manfred Klimek a.k.a. Captain Cork is, to me, the freshest and most entertaining voice among German language wine journalists. I particularly enjoy his reports on winegrowers and -makers behind what used to be the iron curtain, because they bring out the passion and personality of individualists who have often not yet mastered winemaker marketing-speak. Highly recommended, 'nuff said.

Back to the Chard, then, and a weird little number it is:

Pale gold, with a hint of onion skin brown. Unusual.

Smells of brown sugar and fried banana, with a salty freshness at the same time. Even more unusual.

The wine rambler continues its Silvaner coverage, today with a specimen from Slovenia - that's right, the Wine Rambler has been looking east lately, more on that soon - and this one here from good old Rheinhessen:

Fairly dark straw colour, not quite golden.
Nose of dried apple slices, but also ripe grapes, a little floral too, making me think, unexpectedly, of Gewürztraminer.
In the mouth it's candied apple again, mature fruit, quite some weight and length, noticeable sweetness, although 5 grams per litre of residual sugar make it legally dry. Very mild acidity.

Erich Krutzler, a very well known austrian winemaker, is building up this winery in northern Slovenia- we'll have some more on that in a while.

His Silvaner is made in a light, very clean style, smelling and tasting of fresh green apples, a few herbs and hay. With fresh acidity and a background of chalky mineral, this should make a good companion for salads and light vegetable dishes.
As it is by no means cheap, this one has not completely won me over yet. But, as I said earlier, more is to come.

Here in the UK, most people would probably associate the Shiraz grape with Australia. Germans and Austrians, however, like to call it Syrah, and if they were into wine they might know that Austria produces a few nice ones too - and this Syrah is one of them.

The colour is a shiny ruby-red that almost borders on dark chocolate or very reduced balsamic vinegar. I am quite definitive about the latter as I served the wine with slow roast lamb, potato mash and balsamic glazed baby carrots. But back to Count Hardegg's Syrah. Both nose and mouth brought some nice ground pepper thunder to the table - and lots of dark berries, embedded in an almost chocolaty smooth structure and garnished with roast bread and some notes of vanilla and roast oak.

The very discreet notes of tobacco in the nose of this wine went almost unnoticed when I opened the bottle yesterday to go with a raspberry desert - but that was simply because of the quite intense raspberry smell dominating the table. Despite the fruity dessert we could easily pick up apple, peach and herbs, embedded in a fresh, mineral creaminess. A very pleasant nose coming from this 'feinherb' (=off-dry with perhaps a bit more acidity) Mosel Riesling - and a very good reflection of the sensation awaiting your taste buds. The apple is perhaps a bit more dominant on the tongue than the nose; the Riesling manages to be both smooth and a little rough (in terms of acidity think more vegetable/apple than citrus fruit) with firm minerality, good structure and a nice finish.

Brick red colour, going brown on the edges.
Surprisingly wild smell, a little animal even, leather, some tar, some cocoa.
Slender-bodied in the mouth, very fresh acidity, aged cherry and plum flavours, surprisingly rough-grained, rustic tannin that has retained its sharp edge. Nice aftertaste of prunes and coffee that lingers for quite a while.

Sometimes something is in the air. A few days ago I realised that we actually never reviewed a wine made by Reinhard Löwenstein. And as it so happened a bottle of his Riesling found itself uncorked last weekend - and not only here in London, but also in Munich where fellow Wine Rambler Julian enjoyed a 2004 Heymann-Löwenstein (we did not coordinate this). Read his excellent review of a gorgeous wine, especially as it will tell you why you should keep an eye on this extraordinary winery. As Julian has already set the context, I can keep this review of the more basic 2008 Schieferterrassen Riesling rather short.

It's high time one of the legends of german wine made his first appearance here: Mosel winemaker Reinhard Löwenstein started using "slow" winemaking techniques like natural fermentation and prolonged skin contact when they were unheard of. He talked about terroir in the dark 1980s, when few within the German must-weight bureaucracy had heard of such a thing. A communist activist in his earlier days, and a natural-born rebel by temperament, Löwenstein has been mistrusted and reviled all along the conservative Mosel, but ridicule quickly turned into envy as his Rieslings won critical acclaim and commanded high prices from raptured customers.

Just one glass. This was my excuse to try this Silvaner. Why just one glass? Well, I have been down with the flu since Thursday night (six days, I know), but earlier tonight I felt well enough to think about having a small (!) treat.

Why a Silvaner, you may ask? First of all it is the year of the Silvaner grape in Germany. Secondly, I was planning to have sage risotto with caramelised apples and roast walnuts, and I wanted to have a light apple-y yet robust wine to go with it. And thirdly, I just had a discussion with Kathryn from Artisan & Vine about natural wines from Germany - and this surely is one. Wittmann is one of the leading German estates and for quite a while now they have been focussing on organic wine. And this Silvaner here, well, it is quite something, for a 'simple' wine.