When you have a Bordeaux style French red in your glass and it is actually German, it could very well be Thomas Seeger's Cuvée Anna. I opened a bottle Friday night for a group of friends without telling them what it was and the guesses ranged from Argentinian Cabernet to Syrah or French Malbec. In fact, Cuvée Anna is a blend of Pinot Noir, Schwarzriesling and Lemberger. Lemberger is a grape variety also know as Blaufränkisch (especially in Austria), and is know to create wines with sometimes spicy dark berry flavour, some tannins and good acidity - 'Anna' has all of the above. Schwarzriesling, literally Darkriesling, is also known as Pinot Meunier and is interestingly used in the production of Champagne (although Pinot Noir is much better known in this respect).

A fairly dark Pinot Noir, the 07 Vitus has a seriously dry nose: smoky, toasted oak, a little yeast and a little cherry fruit - more serious than playful, I would say. The wine is also not very fruity on the tongue, where leather and a hint of pepper are added to the mix. It does not feel heavy though, partly due to its fresh acidity. The finish is good, marinated cherries, acidity and tannins, but reasonably smooth, and a bit of woodland aroma with the tiniest hint of chocolate.

People have very different ideas about wine labels, including people in wineries, of course, and that must be a good thing as it creates a certain variety. The artist-designed label of this year's GrüVe is certainly very distinctive, although I cannot say that I like the way in which it overpowers the whole bottle to the point that you see nothing else. But that just is the tradition of the Sonnhof estate's GrüVe label, an entry level Austrian Grüner Veltliner from one of Austria's premier wineries.

Sun-kissed Baden, the southernmost of Germany's wine growing regions, specialises on Pinots: Pinot Noir, Pinot Bianco and Pinot Gris/Grigio (or Spätburgunder, Weißburgunder and Grauburgunder), and for some reason we have so far only reviewed Spät- und Weißburgunder from Baden on the Wine Rambler. So it was high time to open a bottle of Grauburgunder and and do some reviewing - and this time it was not just me, but a group of British wine drinkers who joined the London Wine Rambler for a night of fun yesterday.

Perhaps unusually for a Mosel winemaker, Clemens Busch is well known for his dry Riesling - he also makes off-dry and sweet wines, but when we visited the winery in 2008 I mostly brought home dry wines. Vom Roten Schiefer - "from red slate" - was one of them.

All starts with a nice golden colour and a nose of a mineral, stone fruit (peach and plum), camomile tea, honey and paraffin wax. All of that made for a substantial, matured impression. On the tongue the Riesling is quite full-bodied and a well rounded, caramel richness. Exotic fruit and ripe plum mix well with noticeable, fresh acidity and a kick of spice. A rich yet elegant wine with a little attitude.

What to write about a wine that's so annoyingly perfect that it has the peachy fruit, has the stones, has the sweetness, has the acid, has those first camomile and petrol hints of age, has the balance and has all the elegance that sweet Riesling can bring.

Not much to say about a wine which will let any of the Wine Rambler's snobbish bonmots and bad puns roll of it anyway.

I'll make this confession, then: Us having enjoyed this with a dear friend who not only makes a fiendishly good mousse au chocolat, but also likes good Spätlesen, amid general contentment, I couldn't help this thought creeping its way into my sluggish brain: This wine is too nice. Yeah, it's boring. There, I've said it.

Some wines are waiting for a special occasion. My Pinot Noir "R" from the Molitor winery had been waiting almost ten years for its time to come (although most of it in the cellars of the Molitor estate at the Moselle) - until a friend invited me to Oxfordshire for an autumn Sunday in the countryside, including a braised duck. So off I went, and the Pinot Noir from the Moselle came with me. And boy was it worth the wait (although I am not sure if the wine really cared as much about it as we did).

Traditionally, the Moselle - or Mosel, as the German call it - is known as the home of the German Riesling, especially the lighter, fruitier and sweeter Riesling that regularly wins high ratings in international wine challenges. However, since the 1980s or so, red wine has slowly made its return. Molitor started planting Pinot Noir about 20 years ago and has received a lot of praise for his Spätburgunder, also from the Wine Rambler. This is not only the oldest Molitor wine for us to review so far, but also the oldest Pinot Noir.

This one was recommend by Captain Cork, my favourite german language wine blog. At first, I was a little nervous whether it would be able to handle a Pollo arosto con i limoni. After a few sips, however, It was the chicken I started to worry for:

A hefty dose of fresh oak in the nose, but with it creamy yellow fruit, orange peel, and a tangy saltiness.

New oak dominates the mouth as well, very powerful and long, in no way what I have associated with the Sauvignon Blanc grape, but smoke, roasted almonds, and finally a funky, sulphuric brimstone minerality that stays on the palate for minutes.