white

It is moments like this when I feel a little embarrassed to write about a wine. I often wish we had more wines to complain about so that we can prove that we are wine bloggers of the really critical sort. However, this is a blog about the wines we drink for pleasure, not for profit, so we try as hard as possible to find wines that we think we might like. When I bought this Riesling from the Rheingau, I hoped it would be good, really good. I had no idea it would be so good that even after going to bed I could still be heard mumbling 'this is fantastic'. Before you read on be warned though: you may seriously hate this wine.

In my quest to find interesting German and Austrian wines in UK supermarkets, I recently came across an excellent Austrian Grüner Veltliner, sold in Sainsbury's 'taste the difference' range. I love Grüner, especially with food, and this wine had the added benefit of being made by a well known Austrian winemaker, Markus Huber. When I saw that the 2009 vintage hit the shelves, I had to grab a bottle to see if it would be as good as the 2008.

Rheingau - rumour has it was here where Charlemagne had a vineyard and where the concept of 'Spätlese' (late harvest) was invented in the 18th century (albeit by accident). While red wine is on the rise pretty much everywhere else in Germany, the Rheingau (think of the Rhine near Wiesbaden/Frankfurt) is still unchallenged Riesling country. The Künstler family are among the most prominent producers in the area, known mostly for the Riesling from the 'Hölle' (literally 'hell') and 'Kirchenstück' ('church piece') vineyards.

Weinhof Herrenberg is Claudia and Manfred Loch's place, a tiny winery with just two hectares in Schoden on the River Saar that they have built up more or less from scratch, plot by plot, and with somewhat precarious resources. This is a very different history from the Van Volxem enterprise, which came with heavy investment, grander plans and more ambitious marketing from day one. Still, both outfits share some similarities. Both were willing to look beyond the winemaking traditions of the last few decades. Both managed to create a new kind of Saar Riesling that was actually a recreation of the pre-1950s style: Ripe wines with more powerful fruit and less prominent acidity than has been, and still is, "traditional" on the Saar. With their enthusiasm and nonconformism they have, between them, managed to break open the wine scene on this Mosel tributary, which had been dominated by an establishment of aristoricatic estates with a somewhat patrician attitude. High time we had a closer look at what Herrenberg has to offer, then, and we'll start with one of their mid-range dryish Riesling (they only make Riesling):

The 2009 vintage in Germany has received lots of praise, in many cases way before the first wines were bottled and sometimes even before the last grapes were harvested. So it is high time for the Wine Rambler to more systematically explore what the vintage has to offer. Today's object of study, a Riesling (from the Rheinhessen region) that answers to the name of Ice Stream ('Eisbach'). It is one of the basic wines produced by the Battenfeld-Spanier winery, just a little above their range of entry wines. Over the past years, Battenfeld-Spanier have built up an impressive reputation, both for entry and grand cru level wines, so I was curious to eventually get round to try one of their Rieslings.