€20-23

So there you sit in Tuscany, enjoying the evening sun and sipping on your Sangiovese blend - oh, wait! It is not Tuscany but the German wine growing region of the Pfalz (Palatinate) and you are not drinking a Chianti but a German red. Sounds unlikely? Well, unlikely it may be but certainly not impossible: Pfalz winemaker Philipp Kuhn is well known for his red wines and one of them, the Cuveé Luitmar, is indeed made of Sangiovese.

Not just Sangiovese but also Cabernet Sauvignon, St. Laurent and Blaufränkisch (also known as Lemberger) - not exactly what you would expect from a German wine...

As some of you may be aware, there has recently been a bit of noise about dry German Riesling. A well respected importer and Riesling fan referred to the dry German wines as "a highly invasive species", much to the dislike of some. I am not planning to enter that debate directly, at least not right now. However, I had a little craving for an invasive species the other night...

...so here it is, a short review of a dry German Riesling, and from the region that wine lovers across the world associate most with sweet: the Mosel.

Nowadays everyone seems to expect the Spanish Inquisition. Well, maybe not exactly Monty Python's torture team with the comfy chair, but with the internet full of surprising wine finds presenting something unusual has become harder. Even so I hope that writing about German Syrah will be unusual enough to attract some attention - at least enough to keep you stuck to your chairs, trembling with anticipation, until my co-Rambler returns from his holiday to give you part two of Speak, barrel sample.

So here it is, the 2008 Syrah from a Baden producer who is at least as unusual and charming as his wines.

This is a story of failure and sloppiness. My failure and sloppiness, I hasten to add - no such crime was committed by the Salweys. In fact the Baden winemaking family have done everything right. Not only did they make a substantial, interesting Grauburgunder (internationally better known as Pinot Gris or Pinot Grigio), they also shipped a bottle of it in the most timely manner when a few years ago I put an order in with them. Since then it waited for a special occasion.

And when the occasion came I failed it - by accidentally deleting the photo I had taken before I did my backup, and then only realising this when the bottle was on the way to the recycling plant. So blame me, but please do read on.

FX - for most people these letters stands for excitement, explosions and all sorts of sparkles. The same is true for fans of Austrian wine, just that they don't think of digital visual or sound effects, they think of Franz Xaver (Pichler)'s Wachau wines. On 16ha of vineyard land in what to me is one of the underrated wine regions in Europe, the Pichlers grow Grüner Veltliner and Riesling (plus a little Sauvignon Blanc), and over the years have managed to build up an excellent reputation.

Because of all the praise for the Pichler wines, I was confident I would not just get fancy special effects from their 2003 Smaragd Riesling - or would I?

It's all rather melancholy. It's raining outside, autumn is coming on, and there's only one antidote against heaviness of heart that never fails: 1990 Bordeaux. Chateau Malescasse is said to be one of the very dependable producers of the Haut-Médoc, and in a more lucid moment, I secured this bottle on eBay. And when I woke up this morning with the rain lashing against the windows, I knew it : Tonight is its night.

Other than many of my British acquaintances, I don't often complain about the weather in London as I usually like it. Today though it has thrown a spanner in the works of the carefully planned Wine Rambler schedule. Expecting autumn to make its appearance, I had opened a Pinot Noir (Spätburgunder) the other day but now England is hotter and sunnier than it has been all summer - and here I am reviewing a wine that most people would rather associate with autumn. Having said that, a good Pinot should always be a great companion, so I hope you can forgive me for appearing unseasonal.

The Pinot in question comes from a highly respected producer in the Pfalz. On about 20ha, Steffen Christmann grows Riesling, Pinot Noir and a range of other grapes including Pinot Blanc/Gris and Gewürztraminer. Christmann is not only lucky to own parts of several very well known vineyards (such as the Ölberg), he also happens to be head of VDP, the leading German association of premier estates.

Grüner Veltliner, also known as GruVe and often pronounced "Grooner" by Anglo-Saxons, is certainly hot property these days. Austria's signature white grape has won much critical acclaim and is now seen as cool and trendy. Most of it is consumed in Austria, and - even though Grüner can age very well - traditionally as a young, fresh wine that does not need much ageworthy complexity. Potato salad and Wiener Schnitzel (a breaded veal escalope) is one of the dishes the Austrians serve with it.

Some Grüner is made in a different style though, creating complex wines of beauty. Complexity and substance can be a good thing, but did the Jurtschitsch winery go a step too far by creating a Reserve Grüner with astonishing 15% abv?

Last autumn I drank my first Kirchmayr wine. It was a 16 year old Grüner Veltliner, and I was very impressed. Beautiful bottle design, marvellous bouquet and a wine that was focussed, sharp and sophisticated - yet not aged, not even old. It was pure joy. Kirchmayr have a whole range of wines - "Solist" - specifically made to age well and only to be released to market after years of maturing. So I had to get a bottle of Riesling to find out if it would be as good as the Grüner.

When I reviewed the Grüner, I took an excessive amount of photos of the bottle (same beautiful design for both varietals), so please take a look at that post, also for some background on the winery. But now to the Riesling.