outstanding

Not everyone may agree with the National Health Service's classification of nosebleeds as potentially 'frightening', but even tougher characters don't seem to consider them fun. Looking back at one or two childhood nosebleed experiences I am inclined to take sides with the NHS here - and yet a Riesling tasting like a nosebleed was probably the most interesting wine I encountered this year. Enter Müller-Catoir's 2009 Grand Cru Riesling "Breumel in den Mauern".

As you can see from the photo above there is a prominent "1" on the bottle, indicating that this wine comes from one of the most highly rated vineyards in Germany (at least according to the winemakers association VDP). Together with the designation as "Großes Gewächs" (great growth or grand cru) this is designed to inspire some awe - which is, one would hope, at least subtly different from nosebleed fright.

What you are looking at is nothing less than the best Chardonnay ever made in Germany. Well, sort of. First of all the photo below only shows Chardonnay grapes and not the bottled "R" as, despite following best practice in digital preservation, our shots of the "R" had an unfortunate encounter with oblivion. Secondly, I have no idea whether Bernhard Huber's 2009 Chardonnay really is the best German Chardonnay ever bottled - but when we heard that the respectable wine guide Wein Plus had made that claim it was time to investigate.

So, ladies and gentlemen, come join us for another mission in our never-ending quest to do our journalistic duty.

With the festive season with all its celebrations and debauchery now upon us what could be better to review than a classy sparkling wine? Well, yes and no - I have never held much with going for wines that are in season. Sometimes I want a bold red in summer, sometimes a refined sparkler on a dull Tuesday evening with nothing to celebrate. When it comes to wine I tend to go with the advice the head of department in my first full time job gave me: "A good Riesling in itself is a reason to celebrate." A wise statement, although I think it can be expanded to cover all glorious grapes and wonderful wines of this world. So here is another reason to celebrate - and behold, it is an English sparkling wine.

A Nyetimber 2003, to be precise - a wine from the Nyetimer vintage that caused a little sensation when a few years ago its sibling, the Classic Cuvée, won a respectable international sparkling wine tasting, beating the likes of Bollinger, Pommery and Louis Roederer. How good is the Blanc de Blancs?

It's so annoying not to be able to call it Champagne, when it is Champagne. This statement about English sparkling wine comes from the Crown's "resident wine expert", the Duchess of Cornwall. It highlights a sparkling rivalry between England and France where the Frenchmen have law and reputation on their side: no matter whether you make sparkling wine in the same way (Méthode Champenoise) and to the same quality only fizz from the Champagne region may bear that prestigious name. The plucky Brits have no chance winning this battle but they do at least have a battle cry: the Méthode Champenoise actually is an English method.

The banner under which this battle cry is made is that of the three geese of Gusbourne, and it came to me on a bottle of fantastic sparkling wine.

Christmas has come early at the Wine Rambler. No, we haven't changed the calendar and yes I know it is almost Christmas anyway, so this line is less effective than it might have been in July. However, the wines I had recently have been so good there can be no doubt that 'tis the season to be jolly. Exciting sparkling Riesling followed by aged Nectar harmony Muscat and now what may very well have been the most accomplished dry white wine I have had this year.

A first rate Silvaner, the exciting and under-rated German grape variety we have been shouting about for a few years now - and it even comes in the traditional Franconian "Bocksbeutel" bottle.

"Torsten and Julian have this wine blog, and they mostly review sweet wines." This is how a friend introduced the Wine Rambler at a dinner party - much to my surprise as sweet wines make up only a relatively small amount of our wine reviews: not even 1/6 and even with the off-dry ones added we don't quite come to 2/7. Perhaps my outspoken love for Mosel Riesling (which tends to be off-dry or sweet) contributed to this image, or it is just the general perception that German wine is sweet. Instead of fighting this cliché today I shall give in to it. Let's not just drink sweet, let's indulge in sweet.

Ladies and Gentlemen, friends of sweetness and sugar hounds, I give you an ice wine from the Pfalz.

It's well known that for the first few years after planting, vines yield bumper harvests, but cannot quite produce the concentrated, characterful flavour in their grapes that old vines are renowned for. So it struck me as somewhat self-defeating when I saw "from young vines" clearly spelled out on this Swabian Cabernet Franc (yes, that's right: Swabian Cabernet Franc) - as far as I'm aware, there is no obligation for a wine grower to inform customers of this on their label. It's either unusually decent and straightforward of Hans Hengerer, who is still a fairly young vine himself, to put it on there.

Or, and this became more plausible for me with every sip of this wine - it is actually a teaser: "It's that good now. Just wait till you taste it when they're fully grown...". Because it actually is that good now:

Following Julian's recent debacle with a Württemberg Riesling I felt our shocked and terrified readership is in need of comfort and reassurance. Will the Wine Rambler now drink Liebfraumilch only? Has German Riesling failed? Will Modern Talking re-unite? The world may indeed be doomed, I won't dare speculate what Dieter Bohlen might do, but I can assure you that German Riesling has not gone bad.

And to give us some comfort after the shocking events of last episode, here is a classic: Riesling Auslese from the Mosel.

Philipp Kuhn, so his website proudly proclaims, is not only a 50%/50% but also a 100% man. Mathematically that may be sound, in a confusing way, but how does it relate to German wine? In a confusing but sound way, I would say. With his percentage rule the Pfalz winemaker stands for an internationally still overlooked, but nationally even more important trend: while half of Philipp's wines are white, the other 50% are red. And all 100% are dry. Well, every other year there may be a few bottles of sweeter stuff, but if we generously round up the 100% is probably still true.

Anyway, this Riesling is dry. A top Riesling from a grand cru vineyard. Is it more a 50/50 affair or a 100% win?